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Featured Stories
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Fashion Matters In Tough Times, Says Top Designer
11 November 2011 4:59 PM | No Commentsby NPR STAFF
If you pay attention to the Emmys and Academy Awards, then you’ve probably seen those glamorous, haute couture gowns made by Kevan Hall. He’s known for dressing A-listers like Vanessa Williams, Salma Hayek, Celine Dion — even first lady Michelle Obama.
His work has earned him multiple awards. After studying fashion design at Cass Technical High School in Detroit, he won a scholarship sponsored by the Fashion Institute of Design and Merchandising. After graduating, he won the Peacock Award for Outstanding Fashion Design. In 1989, the NAACP named him the Great American Designer, and in 2005, Life & Style Magazine named him Stylemaker of the Year.
Among the handful of top African-American designers in the country, Hall centers his work in Los Angeles. He’ll be showing off his 2012 bridal and ready-to-wear collections Friday at the Washington Club in the nation’s capital.
More here.
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African designers steal the show
11 November 2011 4:50 PM | No CommentsBy WANGUI MAINAWalking tall at 1.78 metres, Kenyan model Ajuma Nasenyana,, walked to the front to be crowned Model of the Year at this year’s Africa Fashion Week held in Johannesburg, South Africa two weeks ago.
An international model, Ajuma was one of the models who took to the catwalk to showcase some of the continents leading talent. In its eighth year, Africa Fashion week brought together 30 designers, based on the continent and beyond, to showcase their designs at the Sandton Convention Centre for three days last month.
More here.
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Assistant Professor, Graphic Design at California College of the Arts (CCA)
12 October 2011 8:03 PM | No CommentsASSISTANT PROFESSOR, GRAPHIC DESIGN, SAN FRANCISCO CAMPUS, FULL-TIME, TENURE-TRACK, EXEMPT, JOB # 2069
October 2011
Founded in 1907, California College of the Arts (CCA) is an independent art college with undergraduate programs in architecture, design, fine arts, visual studies, and writing. The college also has graduate programs in architecture, curatorial practice, design, design strategy, fine arts, visual and critical studies and writing. Through these programs, the college has created a dynamic and interdisciplinary environment. Diverse cultural perspectives enrich the CCA community and the college believes that continuing to expand the horizons of the students and faculty is essential to achieving its educational objectives. With campuses in Oakland and San Francisco, CCA currently enrolls 1,930 full-time students.
DEPARTMENT SUMMARY:
The Graphic Design Program at CCA offers a fully accredited four-year undergraduate Bachelor of Fine Arts degree in Graphic Design. The program is dedicated to conceptual and skill-based problem-solving grounded in practical knowledge, critical awareness, and social and cultural engagement. Guided by an active and accomplished faculty, students are exposed to diverse design perspectives and practices and encouraged to develop a culturally competent and personally committed point of view. CCA’s Interaction Design Program takes a studio-based, collaborative, and playful approach to training future interaction designers, equipping them with a unique mix of skills to shape their field. The Graduate Program in Design prepares its graduates for careers in innovative design practice, including design direction, strategy, and leadership. Situated at the heart of the Bay’s Area’s vibrant design culture, these programs benefit from a rich community of practitioners and a compelling context for projects.
POSITION SUMMARY:
CCA seeks candidates for a full-time, tenure-track position of assistant professor of graphic design, beginning fall 2012. This position has been created to support the development of the program’s 4D curriculum. The successful candidate will demonstrate an active interest in the evolving relationship between graphic design and screen-based media and a capacity to steer curricular and pedagogical change in this area.
In keeping with the college’s commitment to diversity, community engagement, and social justice, we seek candidates who will cultivate an equitable studio environment and a diverse curriculum. In addition to teaching (a full-time load is five lines per year) and participating in the undergraduate Graphic Design program, the position requires a readiness to teach in the Interaction Design, Graduate Design, and First Year Programs, mentor students in the major, and serve on college-wide committees. It also entails a commitment to continued professional work.
MINIMUM QUALIFICATIONS:
A BFA degree in Graphic Design (or equivalent professional degree and/or experience) with a minimum of one year of teaching experience at the college level or two years of professional experience in the field. Applicants should present evidence of leadership ability and the potential to make significant contributions in their field of practice. They should have a strong commitment to design education and a keen interest in design-related technologies. Specifically, CCA seeks candidates who demonstrate conceptual agility and practical aptitude with respect to the dynamics linking graphic design and screen-based media. Please submit at least five projects that provide evidence of front- and/or back-end skills and practice in one or more of the following areas: interface, interaction, video, motion graphics, or mobile/other platforms. Professional and/or educational experience in collaborative interdisciplinary contexts, project-based community engagement, and design writing and research are also desirable.
SALARY: Commensurate with experience, and includes a comprehensive benefits package.
APPLICATION DEADLINE:
Postmark deadline for applications is January 20, 2012.
NOTE: If you wish to be notified of the status of your application for this position, please provide a current email address on your resume or cover letter.
application instructions:
Interested candidates should submit the following in .pdf format:
- A formal letter of application
- A brief statement of teaching philosophy highlighting areas of pedagogic concentration
- A curriculum vitae
- A portfolio of professional work
- Course syllabi and student work
- Student evaluations of recent courses taught at the college level.
- Three names of reference, including contact information
Note: A self-addressed, stamped envelope is required for return of submission materials.
California College of the Arts
Human Resources (Job # 2069)
5212 Broadway
Oakland, CA 94618-1487
Fax (510) 594-3681
employment@cca.edu
We recommend compressing/zipping your files into a zip format file. Documents larger than 10MB, should be submitted on CD and forwarded to CCA as indicated above.
CCA is an equal opportunity employer and encourages applications from individuals who will contribute to its diversity.
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Position: Chair, Industrial Design at California College of the Arts (CCA)
12 October 2011 7:47 PM | No CommentsCHAIR, INDUSTRIAL DESIGN, SAN FRANCISCO CAMPUS, FULL-TIME, EXEMPT, JOB # 1968
October 2011
The CCA Industrial Design program
The Industrial Design program at CCA offers a fully accredited four-year undergraduate Bachelor of Fine Arts degree in Industrial Design. Industrial Design is among the fastest growing programs at CCA and reflects the dynamic nature of the field. Specific areas of interest include sustainability, urban mobility, design research, community engagement, and cultural analysis. For more information about the program mission, visithttp://www.cca.edu/academics/industrial-designCalifornia College of the Arts (CCA) invites applications and nominations for the position of Chair of the Industrial Design Program.
The profession of industrial design is expanding to more areas of influence than ever before. Designers have the opportunity to impact social, environmental and political outcomes. Consequently, the way we educate designers matters now more than ever. Merging visionary leadership, curriculum development, and professional and community connections, the Industrial Design Chair plays an essential role in shaping the next generation of industrial designers, who will tackle some of the most pressing concerns of our time.
The Chair of Industrial Design is a key player in the CCA and surrounding communities with access to the Bay Area’s most notable practitioners. The successful candidate will approach the development of a practical and critical design curriculum as a creative and intellectual opportunity and demonstrate a capacity to incorporate diverse cultural and practical perspectives in shaping curriculum, directing pedagogy, and building community.
The chair position is a full-time position throughout the 9.5-month academic year. A program manager provides administrative and organizational support, and faculty coordinators assist with specific aspects of the program, including internships, student reviews, technology support, sustainability and semantics. The director and assistant director of Design provide guidance and oversight for curriculum development, faculty selection, scheduling and accreditation reviews.
Specific Responsibilities of the Chair of Industrial Design
- Lead the program in attracting and retaining the most promising Industrial Design students.
- Design a curriculum that combines skills acquisition, design research, conceptual thinking, and professional preparation.
- Encourage collaboration between Industrial Design and other CCA programs.
- Establish external relationships with the professional design community, including sponsored studio partnerships.
- Promote the visibility of the Industrial Design program locally, nationally and globally.
- Hire and mentor faculty to reflect a wide range of experiences and perspectives.
- Organize subject-specific student workshops throughout the academic year.
- Teach at least one class per semester.
- Direct the academic and administrative operations of the program.
- Oversee ongoing program assessment and prepare for accreditation reviews.
MINIMUM QUALIFICATIONS:
Professional experience in the field of industrial design and its related practices: research, prototyping, manufacturing, materials, sustainability, human factors, interaction, design history and criticism, etc. Experience in design education, including teaching and a demonstrated capacity for curricular and extracurricular program development. Proven management experience in an academic or professional setting.
The ideal candidate will articulate a vision for the future of the program and the field that merges creativity, curiosity and craft. He/she will demonstrate the ability to lead faculty, students and staff, and address diverse design practices that combine professional development, cultural awareness, and community engagement.
SALARY: Salary is commensurate with experience and includes a comprehensive benefits package.
APPLICATION DEADLINE:
Review of applications will begin January 17th, 2012. Recommended document file formats are Word or PDF. If there are multiple attachments, we recommend compressing/zipping your files into a zip format file. NOTE: If you wish to be notified of the status of your application for this position, please provide a current email address on your resume or cover letter.
APPLICATION INSTRUCTIONS:
Applicants are invited to submit their CV and a letter of interest that addresses their vision for the future of Industrial Design, in both education and the profession, as well as their philosophy of leadership and pedagogy. Applicants should also submit the names and contact information of three professional and academic references. Submit materials to:
California College of the Arts
Human Resources (Job # 1968)
5212 Broadway
Oakland, CA 94618-1487
Fax (510) 594-3681
Recommended document file formats are Word or PDF. If there are multiple attachments, we recommend compressing/zipping your files into a zip format file. Documents larger than 10MB, should be submitted on CD and forwarded to CCA as indicated above.
CCA is an equal opportunity employer and encourages applications from individuals who will contribute to its diversity.
Founded in 1907, California College of the Arts (CCA) is an independent art college with undergraduate programs in architecture, design, fine arts, visual studies, and writing. The college also has graduate programs in architecture, curatorial practice, design, design strategy, fine arts, visual and critical studies and writing. Through these programs, the college has created a dynamic and interdisciplinary environment. Diverse cultural perspectives enrich the CCA community and the college believes that continuing to expand the horizons of the students and faculty is essential to achieving its educational objectives. With campuses in Oakland and San Francisco, CCA currently enrolls 1,930 full-time students.
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Job Postings on this site with BDNN
12 October 2011 7:36 PM | No CommentsBeginning November 1, BDNN will charge for all job postings on website.
- Please inquire by email at atim@blackdesignnews.com
Until September 30, 2011, all postings at BDNN are free. We have a right to select what we post.
Read More
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Fashion Matters In Tough Times, Says Top Designer
Product Design Archive
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February 26: Wahala Temi – Intersecting Architecture, Furniture and Art
Posted on February 27, 2011 | No Commentsby Atim Annette Oton
Ade is a Brooklyn-born artist educated in architecture and urbanism. Her work is an expression of her experiences of having lived in both Brooklyn and Lagos, Nigeria during her formative years. The results are a body of work that critiques contemporary life in the West and elsewhere touching upon themes of abuse, power, beauty, control/submission and pain/sacrifice of African women in particular.
BDNN selects Wahala Temi for Innovating Intersecting Architecture, Furniture and Art.
Website:
Web Trails:
http://www.huffingtonpost.com/lia-petridis/global-africa-project-in-_b_786167.html
http://vodpod.com/watch/2439375-wahala-temieric-l-jonesshow
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February 23: Eric Anderson, Industrial Designer focused on Universal Design
Posted on February 24, 2011 | No Commentsby Atim Annette Oton
Eric Anderson is an associate professor of industrial design. He teaches undergraduate design studio courses, and, with faculty from CMU’s Mechanical Engineering and Tepper School of Business, he co-teaches the award winning Integrated Product Develop (IPD) capstone course in the Master in Product Development program. The IPD course focuses on team-based integrated product development among engineering, business, and design disciplines.
Anderson was the first African American President of the Industrial Designers Society of America (IDSA) and is the chair of IDSA.
BDNN selects Eric Anderson, Industrial Designer focused on Universal Design and providing Innovative Design for the Blind Community.
Website:
http://www.design.cmu.edu/show_person.php?t=f&id=EricAnderson
Web Trails:
- http://www.idsa.org/content/content1/chairman-eric-andersons-farewell-message
- http://www.pittsburghlive.com/x/pittsburghtrib/ae/s_600633.html
- http://danielmcclintick.org/wordpress/my-role-as-an-interior-designer/
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February 17: Malene B: Innovative Carpet Designer and Product Designer
Posted on February 15, 2011 | No Commentsby Atim Annette Oton
Malene B is a Brooklyn, NY based African American carpet designer with a multi-disciplinary background in textile arts, painting and illustration. Her unique carpets, inspired by her international travels which boldly interpret cultural icons, landscapes and rituals in an entirely fresh and personal way. For more than a decade, she has been creating carpets for industry professionals and private label brands such as Nicole Miller, Martha Stewart, Nautica, Liz Claiborne, Nate Berkus and others. She has a Bachelor of Fine Arts degree in Textile Surface Design from the Fashion Institute of Technology.
BDNN selects Malene B as an Innovative Carpet Designer and Product Designer
Website:
Web Trails:
- http://nymag.com/homedesign/greatrooms/65884/
- http://sugarcanemag.com/2011/02/designmalene-b/
- http://blackwomeninfashion.blogspot.com/2010/05/malene-b-fashion-forward-carpets.html
- http://www.hometextilestoday.com/article/494585-Custom_handmade_carpet_designer_malene_b_launches_company_and_website.php
- http://ymib.com/daily-inspiration/creative-living/bites/malene-b-textile-designer-new-collections.html
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February 11: Tina Shoulders, Creative Product Designer and Strategist
Posted on February 10, 2011 | No Commentsby Atim Annette Oton
Tina Shoulders is the founder and creative director of Laidback, the around the way chick from the Bronx with a penchant for hip hop, design, and economic freedom. A graduate of Drexel University who loves to style at home and on the streets, she began as a CAD textile and graphic designer and has designed for Phat Farm, CK Jeans, Tommy Hilfiger, Carole Hochman designs, and a plethora of other impressive design houses.
BDNN selects Tina Shoulders as a Creative Product Designer and Strategist.
Website:
- http://www.laidbackhome.com
- http://www.designincolorblog.com
- http://www.almost35.com
- http://www.tinashoulders.com
Website Trails:
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February 5: Crystal Windham, GM Director of Design – Design Leader and Innovator
Posted on February 5, 2011 | No Commentsby Atim Annette Oton
Crystal L. Windham, 35, has been appointed Director of General Motors North American Passenger Car Design, as of November 1. In her new position, Windham will head the interior design for GM North America’s: Global Midsize Car, Global Compact Car and Global Small Car. BDNN selects Crystal Windham as a Design Leader and an industrial design innovator.
Crystal, a lead designer on the 2008 award-winning Chevy Malibu Car of the Year, began her career at GM North America Design in 1994 and has held assignments across brand studios.
Website Trails:
- http://www.rollingout.com/insidebusiness/entrepreneur-a-business-leader/12681-crystal-windam-general-motors-first-african-american-female-design-director.html
- http://www.gm.com/corporate/responsibility/diversity/news/2008/1_aa_design_111308.jsp
- http://jeffcars.blogspot.com/2010/02/crystal-windham-setting-design-trends.html
- http://www.autofieldguide.com/columns/0209profile.html
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Black History Month: 28 Black Design Leaders, Thinkers and Advocates
Posted on February 1, 2011 | No Commentsby Atim Annette Oton
This year, Black Design News Network (BDNN) will feature 28 Design Leaders, Thinkers and Advocates with a focus on innovation, race, culture and community. Each selected designer will come from the six industries we cover: Architecture, Interior Design, Fashion Design, Graphic Design, Product Design and Urban/Landscape Design.
- February 1: Victor Body Lawson, Architect, Designer and Save Harlem Advocate
- February 2: Cheryl Durst, Interior Designers Best Advocate and Visionary
- February 3: Monique Péan, Socially Responsible Fashion Jewelry Designer
- February 4: Saki Mafundikwa, Advocate for African Design Fonts
- February 5: Crystal Windham, GM Director of Design – Design Leader and Innovator
- February 6: Diane Jones, Landscape Designer, Design Educator Engaging Students in Haiti
- February 7: Abimbola Asojo, Architect – Leading an Innovative Interior Design Program
- February 8: Dabanga Dos Santos – Fashion Design Leader in Jewelry and Innovative Use of Materials
- February 9: Leyden Lewis, Interior Design Innovator
- February 10: Daniel Tisdale, Designer and Publisher
- February 11: Tina Shoulders, Creative Product Designer and Strategist
- February 12: Sanford Garner, Innovative Designer and Architect
- February 13: Walter Hood: Innovative Landscape Designer and Green Advocate
- February 14: Algernon Miller, Innovative Artist, Sculptor and Urban Designer
- February 15: Charlene Potts, Versatile Illustrator
- February 16: Mamayashi, Fashion Designer expanding Jamaican Fashion Design and Style
- February 17: Malene B: Innovative Carpet Designer and Product Designer
- February 18: Robin Wilson, Innovative Interior Design Leader and Advocate for eco-friendly and healthy space interior design
- February 19: Washington Roberts, Up-and-Coming Fashion Designer
- February 20: Reginald Christian for creating Black Creatives to promote diversity
- February 21: Architecture Caribbean as a Space that Inspires, Educates and Promotes Caribbean Architecture.
- February 22: Tanya Griffin as Interior Designer Staging Homes
- February 23: Eric Anderson, Industrial Designer focused on Universal Design
- February 24: Kahindo Mateene Fashion Designer for using African Fabric Creatively
- February 25: Mervyn Awon, Barbados Architect on Modernism and Cultural Ethos
- February 26: Wahala Temi – Intersecting Architecture, Furniture and Art
- February 27: Clutch Magazine for reporting on Urban “It” Women
- February 28: ArchiAfrika – Most Valuable Resource on African Architecture and Architects
Please spread the word about these designers and see you next year for another 28 more.
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Moving on to 2011: Better things and good fortune
Posted on January 4, 2011 | No Commentsby Atim Annette Oton
2010 was a hard year for the design industry. It was even harder on black designers across all the sectors Black Design News Network (BDNN) - Architecture, Fashion Design, Graphic/Media Design, Interior Design, Product Design and Urban/Landscape Design. Most of the news was focused on the closing of firms and surviving the recession. The real major mews was the Haiti Earthquake which captivated the design industry and spurred a few design competitions and a lot of fundraising. After a year, very little has changed in Haiti. As one black designer from New Orleans said, “we are still here trying to get over the New Orleans disaster, how can we real help in Haiti?” It is a good question. Haiti begs a series of questions but it really asks: what is the role of designers before and after disasters? BDNN came to Haiti with that perspective and continues to explore this question.
2011 is the year of the rabbit. The Chinese say it best: “A placid year, very much welcomed and needed after the ferocious year of the Tiger.” For 2011, here are some predicted trends:
- Design – http://www.builderonline.com/design/10-design-trends-for-2011.aspx
- Green Design - http://michellekaufmann.com/2011/01/green-design-predictions-for-2011/
- Technology – http://www.computerworld.com/s/article/352068/5_Trends_to_Watch_in_2011
- Architecture – http://www.builderonline.com/design/10-design-trends-for-2011.aspx
- Interiors – http://www.independent.co.uk/life-style/house-and-home/interior-design-trends-of-2011-emotional-austerity-rebalancing-2155207.html
There are good things in store for 2011. 2010 taught us all a few major lessons: Have a Plan A, B, C and even a Plan D. Life can change dramatically. Update your resume monthly and be ready to work globally. 2011 is about what we learnt from 2010 and how we can function better.
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The BDNN WORD: Weekly News, Chit-Chat, Hot Spots – November 9, 2010
Posted on November 9, 2010 | No CommentsThe BDNN Word is the Daily News, Weekly Briefs and Chit-Chat updates and ongoings in the black design community across the globe. It is conceived, compiled and created by Atim Annette Oton.
November 9 News:
1. BDNN Fashion: Vlisco release New Ankara Lace, see here.
2. BDNN Architecture: Ghana’s Architecture with Mabel Wilson, see here
3. BDNN Architecture: Architects to build skills centres for housing, see here.
4. BDNN Architecture: Exhibition to See, here
5. BDNN Architecture: Haiti Habitat – a Call for Collaborative Design for sustainable home solutions in Haiti. For more information visit: www.Haiti-Habitat.com
6. BDNN Haiti: Japan and Haiti, earthquakes, See details here
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The BDNN WORD: Weekly News, Chit-Chat, Hot Spots – November 5, 2010
Posted on November 5, 2010 | No CommentsThe BDNN Word is the Daily News, Weekly Briefs and Chit-Chat updates and ongoings in the black design community across the globe. It is conceived, compiled and created by Atim Annette Oton.
November 5 News:
1. ART: Xenobia Bailey at the Fuller Museum
2. FASHION: African Inspired Clothing
3. ARCHITECTURE: Haiti and TOMAS
4. FASHION: Patterned fashion
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Rivington Gallery: A Must See in London
Posted on November 4, 2010 | 1 Commentby Michele Washington
Need of a diverse cultural surge in London? Rivington Place is a must see. Located in the Shoreditch section of East London, this exhilarating cultural center is one of the first newly built gallery artist spaces in London since the Hayward Gallery in 1968. It is a public two-story space housing two cultural organizations, Autograph ABP and INVIA (Institute of International Visual Arts). Autograph ABP curates photography exhibits with a focus on cultural identity and human rights while INVIA, provides much needed diverse global educational programs, and research in the visual arts.
Rivington Place is booming with a multitude of dynamic programming from film screenings, lectures, plus the Stuart Hall Library, named after Jamaica born intellect and one of Britain’s leading cultural theorist of the 20th century. The library is a repository of unique holding of cultural and visual materials from British artist of diverse backgrounds to contemporary art from Africa, Asia, and Latin America, along with its expansive collection of monographs, exhibitions catalogs, and various art periodicals. It includes work by such prominent visual artist as filmmaker Isaac Julien, Hew Locke and Chris Ofili whose collaged Madonna piece imbued with dung created a hoopla at the Brooklyn Museum in 1999.
Just as fascinating is the building’s sculptural form designed by Tanzanian born international architect, David Adajye in 2007, with offices in London, Berlin and New York City. Situated on the corner of Rivington Street and Rivington Place, the stoned structure seems much taller than its two stories. Adajye’s exterior facade was inspired by Sowei mask from Sierra Leone; the exterior structure is configured in symmetrical a lattice pattern of gray stone and glass allowing natural light to flow into the interior space. The Facades earthy gray tones are reflected in the lobby, and swanky cafe located in the back on the first floor that offers visitors tasty snacks.
On view in the galleries through 27 November, 2010 at Rivington Place are two magnificent photography exhibits” Ever Young: James Barnor and The Paris Albums 1900 W.E.B Du Bois both curated by Autograph ABP. James Barnor, a prominent Ghanaian photographer began his career in Jamestown, Accra in 1949. In the 1950s, Barnor operated Ever Young studio in Accra, and photographed for the top African lifestyle DRUM magazine.
James Barnor’s showing of a series of lively over-scaled black and white or color photographs depicts everyday life of men; women and children, marks him as a highly skilled portraiture photographer. Barnor knows how to capture the essence of his subjects by placing them in a variety of staged studio settings or campy street scenes. His images span the spectrum from hyper-stylized street fashion photography of a woman in a mini dress standing in sea of pigeons in Trafalgar Square in London. To a hilarious parody by a group of African comedians switching up vaudevilles derogatory blackface to mocking whiteface.
Untitled #8, 1972 captures a woman sporting an Afro hairstyle, as a perfect example of transferences borrowing from the 1960s Black Arts Movement in the United States. In another photograph a striking pose of preteen-girl leaning on an upright white wooden pedestal, creates a compelling visual narrative by the contrasting placement of a tattered ceramic mascot of a young white girl, originally designed for the family run umbrella shop James and Sons. Does this image imply the black girls achievement of power?
Barnor’s body of work offer the viewer a unique chance to visually experience the transatlantic transferences of everyday life through portraitures of Ghanaians after they migrated to London during the 1960s and 1970s.
The Paris Albums 1900: WEB DuBois featuring a unique historical collection of photography was previously shown at the 1900 Paris Exposition. DuBois showed his entire 363 photographs in the American Negro Exhibit section; this has only 200 photos of Negroe types from Georgia and they represent a visual construction of the New African American identity. They show an insight into the conditions of black culture at the end of the 19th century, just 35 years after the abolition of slavery.
None of the sitters are identified. Simply posed, the sitters are stylishly dressed, the women in high collared laced Victorian dresses, and the men in dapper suits with crisp white buttoned collared shirts and thin bow ties. Look for the sitters’ Eurocentric facial traits with characteristically thinner noses and lips, and wavy or naturally straight hair texture; and the sequential arrangement of the photos mimicking the repetitive flow of filmstrip projected on a wall. While the images are impressive, it is the quotations aligning the outer walls above the photos that provide a context of the cultural significance of the Negroes lifestyle and DuBois’ political theory.
Both shows run until 27 November 2010 at Rivington Place, located at Rivington Pace, in London.
Rivington Place, London EC2A 3BA, Tel: +44 (0)20 7749 1240, info@rivingtonplace.org, web: http://www.rivingtonplace.org/
Autograph ABP: +44 (0)20 7729 9200, www.autograph-abp.co.uk, info@autograph-abp.co.uk
Iniva: +44 (0)20 7729 9616; www.iniva.org; iniva@iniva.org



















